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Hauser & Wirth: Sensitive Geometries. Brazil 1950s – 1980s

On view through October 26th, at Hauser & Worth in NY, is an exhibition that brings together a group of twelve intergenerational Brazilian artists that through abstraction reveal the trajectory and formation of a distinct Brazilian aesthetic  that emerged in the latter half of the 20th Century, together with many other seminal cultural movements.

Conceived and organized with Olivier Renaud-Clément, ‘Sensitive Geometries’ accompanies a new publication, produced in concept and design as a facsimile of an exhibition catalogue published in 1959 for the first Neo-Concrete exhibition, held at the Museum of Modern Art in Rio de Janeiro.

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